**************************************************************************************
copyright 2010 TRFTNM
GHETTO SUMMERS
Three holidays, in the summertime,
the backdrop for my ghetto rhyme.
Memorial Day finds me on my way,
to a shore,
a shore with a boardwalk, a bikini, and, a party.
I depart, for a moment, from the confines of my beloved ghetto,
to the clean, endless sand of a Virginian beach.
In July, I depart, for a moment,
to pay homage to someone else’s beloved ghetto.
I depart to the smell of charcoal, of hot dogs.
In someone else’s beloved ghetto,
I taste of cooking put to good use,
and, lay low with a gin and juice.
September finds me at home,
enjoying the sights, enduring the sounds,
feasting on the aromas of a rapidly fleeing ghetto summer.
Money’s too short, now, for one last
trip to that shore of sand, bikinis, and, parties.
So, September finds me at home.
I can’t pay homage to another’s beloved ghetto,
as their money is too short to entertain.
Therefore, September finds me at home.
So, the distinct smell of charcoal
gives way to
the distinct smell of hot dogs and burgers,
gives way to
the distinct smell of ribs and gin,
but,
with city workers on strike, again,
it all gives way to
the distinct aroma of festering ghetto garbage.
Shorty
I see what they cannot.
They are trained,
and, I am not,
yet, I see what they cannot.
That’s why Shorty sells the drug
that’s on the one.
Out in the open, for all to see,
Shorty, without shame, disrespects me.
Yes, he politely speaks each time I pass.
But,
he buffs his Lex, and, makes it shine,
then, laughs at the Malibu that I claim as mine.
New Chucks, big bucks;
vintage wine, and, a brand new vine,
Shorty sells the drug that is on the one.
Anonymously tipped,
with names, and places, and, dates, and, faces,
those who are trained
cannot see what I see.
Yes, I see what they cannot.
They are trained, and, I am not.
Therefore, from the rising moon to the rising sun,
Shorty sells the drug that is on the one.
copyright © 09.07.1997 blackstarr
(il)legal tender(ronies)
I see tights, covering healthy thighs,
and, halter tops that attract my eyes,
and, micro-minis that solicit my sighs.
I see tights that
illuminate every curve of vivacious vixen;
thighs covered tightly,
in tights that slightly cover
luscious curves.
Halter tops, and, blouses that
are not sheer, but, SHEER,
allowing a glimpse of ample cleavage.
Micro-minis coerce my sighs,
causing me to stare, harder than is wise,
at legs that tower unto infinity.
. . . and, Charlene leans, and, whispers to Jean
“Now, you know . . . !!”.
I truly believe that I see
women with perfected bodies,
fully developed in every way.
But, I find that what I see, instead,
is the essence of youth and vitality;
an essence blossomed ten years too soon,
old enough for motherhood,
young enough to call me Sir.
A Visible Pulse
the pulse of just-bought groceries,
the pulse of someone’s hurried driver,
or,
just the pulse of too many cars,
parked on too many, too small streets.
I see the blink blink pulse
of caution lights,
as someone is always double-parked.
It has become the lay of the land,
to leave one’s car unmanned,
with the blink blink pulse of caution lights.
It’s not that anyone even minds,
as it’s done by people of all kinds.
Everyone does it, this visible pulse.
They blink blink out of courtesy,
as if to say
“I’ll just be a moment.”
Now, they’ve returned,
and, the flashing stops, as they finally drive away.
But, before too long,
the visible pulse begins anew,
as another takes the place of the blink blink
that has left for another
temporary parking space.
Verbal Abuse
not wanting anyone in particular to hear,
but, instead, just wanting what they’ve said to be heard.
Two young voices have the sound of three,
and, three, the roar of a crowd.
They ring out, they scream out,
with no particular destination.
Any ears will do,
so long as their voice is heard.
Someone else is always shouting,
and, it’s always that same someone else,
always having nothing to say,
but, saying it loud enough for all to hear.
That same someone
always has nothing to say,
at least,
nothing that anyone else wants to hear.
Voices ring out,
with the shrill of a siren,
or,
above the shrill of a siren,
that pierces the night air.
911 zooms through my street, at 2am,
obviously not headed for my street, but,
some far away street.
Its siren is
vibrating,
activating car alarms.
. . . and, Charlene leans, and, yells
“Turn that damned thing off !!”
copyright © 09.07.1997
Renaissance, The New Millennium, sirens, voices, 911, poetryGhetto Pulse
It is still a block away,
so, I can’t see the car.
But, I can feel the bass.
There is a pump, pump, pump it up, a pulse
that emanates from every other car
that cruises my street.
That pump it up is
the unique sound of a BOSE system,
blasting Reggae, Rap, or, R & B;
sometimes blasting a sound that’s foreign to me.
The unique sound
announces the arrival of
the unique sound
of a TUPAC,
or,
of a B.I.G.,
coming, soon, to a neighborhood near you.
But, that pump it up
is more than a sound,
is more than a song.
I don’t just hear it,
and, I don’t just sing along,
I feel the beat within my pulse;
it is my own ghetto pulse,
dancing throughout my body.
That pump, pump, pump it up
becomes my pulse.
I watch the car, as it fades from sight,
but, that bass returns,
as the ghetto pulse emanates
from the next approaching car.
Charlene Leans
But, as she squints at the fading rays of sunlight,
Charlene
leans
out of her second story window,
and, without looking, calls (yells) “Malachi !”
He frowns
as her sounds
disrupt the flow
of a well-earned free-throw.
From blocks away, the voice of his mother
sends him towards home,
and, in two strides, he is at his doorstep.
To his misfortune, so is his mother.
She lets out screams,
and, lets out blares,
and, without out fail,
she always out stares
him, as he blankly searches
for reasons (excuses) for such a messy room,
or, for shooting hoops when dinner would soon
be on the table.
Perhaps she yells because
his once-worn underwear
is under a chair,
or, elsewhere,
instead of where
he knows they belong.
Who knows why a mother screams?
But, Charlene leans,
and, Malachi
never has to wonder why.
copyright © 09.07.1997 blackstarr